“A demo of some ACCESS VIRUS C presets
1.E73-PowerStrnJ
2.C40-Glassey SV
3.A39-BillyGoat (selfmade)
4.A30-WWDJ(selfmade)
5.D19-Cremona HS
6.F10-BasstardJS
”
“A demo of some ACCESS VIRUS C presets
1.E73-PowerStrnJ
2.C40-Glassey SV
3.A39-BillyGoat (selfmade)
4.A30-WWDJ(selfmade)
5.D19-Cremona HS
6.F10-BasstardJS
”
“Check out what this incredible machine can do!”
“From CL516 Blog. 6 min. of sounds from Access Virus TI2 Polar.”
http://www.youtube.com/watch?v=KemU5ZFXcyU
Access Virus C (Indigo 2) synthesizer demo.
Playing a simple music box-like melody on Access Virus C (Indigo 2) synth using 2 sine wave oscillators, minor reverb, resonance/filter adjustments and sustained envelope release.
Access Virus C (Indigo 2) synth demo.
Live ambient drone music played on Access Virus C (Indigo 2) using rhythmic LFOs, reverb, resonance and envelope filter adjustments.
Excerpt taken from a longer session.
Access Virus C (Indigo 2) synth demo.
Another dreamy ambient soundscape / drone using oscillators, filter adjustments, resonance and reverb on the Access Virus C (Indigo 2) synthesizer.
No external effects, performed live. Excerpt from a longer session.
Access Virus B synthesizer demo.
Performing a live relaxing, meditative ambient drone music sound scape on Access Virus B synthesizer.
Utilizing 2 oscillators, reverb, noise, resonance, LFO, filter and envelope adjustments.
Access Virus B.
Playing atmospheric, ambient space drone music on Access Virus B synthesizer. Featuring reverb, sustain, LFO, filter, saturation, noise and resonance adjustments.
Performed live, no external processing. Excerpt from a longer session.
Access Virus B – Performing a dreamy ambient soundscape on Access Virus B synthesizer, utilizing 2 oscillators, reverb, filter/evelope adjustments and minor LFO changes.
Performed live, no external processing. Excerpt from a longer session.
Access Virus B synthesizer – Dreamy and relaxing instrumental ambient space music performed & improvised live on Access Virus B synthesizer.
Created using 2 oscillators, delay, filter/envelope/LFO adjustments, resonance, and a simple repeating arpeggiator pattern.
All sounds you hear were played live and manipulated in real-time, no external processing. Excerpt taken from a longer session.